Caspar Brötzmann, with his unmistakable guitar sound, is a fearless experimenter who, with great intensity, breaks the boundaries of classical-conventional musical structures in rock music.

In 1986, he founded Caspar Brötzmann Massaker and developed the band into a significant force in the alternative rock scene of the 1990s. The band's albums "The Tribe" (1987), "Black Axis" (1989), "Der Abend der Schwarzen Folklore" (1991), "Koksofen" (1993), "Home" (1995) and "Mute Massaker" (1999) are rightly considered underground classics and had a profound influence on bands and artists such as Sonic Youth, SUNN O))) and Helmet.

Although he is often considered a pioneer in the fusion of rock, noise, and avant-garde aesthetics, he himself states that his main inspirations come from his love of classical composers such as Charles Ives and Hanns Eisler. In his compositional approach, he uses the guitar as a brush and sounds as a canvas to "paint with music.".

During his performance at the Galilee Church, Caspar Brötzmann will play a very special solo set with "Long Scale Electric Guitar", tailored to the acoustics of the place, and one can be curious to see with what brushstroke strength and density he will "paint" on that day.