Galiläakirche
Geschichte
Evangelische Kirche unter Denkmalschutz, erbaut 1909–1910 nach einem Entwurf der Architekten Georg Dinklage und Ernst Paulus.
Nutzung
Nutzung als Kulturort und Standort des Jugend-Widerstands-Museums (Ausstellung bis auf weiteres geschlossen).
Adresse
Galiläakirche, Rigaer Str. 9
10247 Berlin-Friedrichshain, DE
U5-Frankfurter Tor
M10 und M21 Bersarinplatz
Dienstag, 4. Februar 2025, 19:00 Uhr
2 nights with Zoomin’ Aloe – Night two.
Impro experimental music night_ two round robin sets
Axel Dörner (trumpet)
Burkhard Beins (percussion)
Carina Khorkhordina (trumpet)
Kai Fagaschinski (clarinet)
Liz Allbee (trumpet)
Michael Thieke (clarinet)
Tom Soloveitzik (saxophone)
孙一舟 Sun Yizhou (electronic device)
赵丛 Zhao Cong (object)
朱文博 Zhu Wenbo (clarinet, tapes,objects)
Tickets @door 15€ (reduced 10€)
Presented by yaqin-si , zoominnight & aloerecords Beijing, in collaboration with Liebig12,
Eric Wong & Richten25 Berlin
Two Nights with Zoomin‘ Aloe ~ Night 1 @Richten25 https://fb.me/e/aImeldvCp
Samstag, 21. Februar 2025, 19:00 Uhr
Karen Juhl & Gabriel Gifford
KAREN JUHL has quickly made a name for herself in Danish music with just a few releases, standing out as a distinctive voice. Juhl’s work often blurs the boundaries between art forms, driven by a love for both experimental composition and art pop songwriting.
Her most recent release is the debut album and book Mother Tongue. The album is a sonic hybrid of R&B, rap, experimental composition, and folklore, taking listeners on a poetic, dissonant journey creating a fragmented but meditative reflection on vulnerability in a hyper-globalized world. Live, Juhl merges club culture and chamber music. Two musicians face each other on stage, creating both moments of intensity and deep attention. Beat fragments merge with midi-harp improvisations in a complex and moving performance.
GABRIEL GIFFORD is a Berlin-based artist and producer who traverses experimental pop, creating productions that range from the sensitive to the abrasive. His solo work blends conceptual, cinematic, and folkloric elements, showcased in his debut concept album, Hailstone King, released on November 10, 2023. In the summer of 2024, Gifford debuted Grudgers Words, a live-work deconstructing contemporary UK rap through themes of masculinity and mental health. He is also the co-founder of the Berlin collective Reverse Engineering, known for its focus on experimental parties and multidisciplinary art within club spaces.
Freitag, 14. März 2025, 19:00 Uhr
Will Samson presents Songs Of Beginning & Belonging
support MARGAUX GAZUR
Will Samson presents Songs Of Beginning & Belonging – his second and final ambient LP, due out on 31st January via Dauw. Unbound by genre limitations, Samson has spent over a decade exploring electronic, folk and ambient sounds – with an emphasis on immersive listening and analogue recording techniques.
Will has released records through labels such as Wichita Recordings (American Football, Ride), 12k (Taylor Deupree, Ryuichi Sakamoto), Dauw and even UK dance label Aus Music. Tours have included shows with artists such as Ólafur Arnalds, S. Carey, Kurt Vile, Efterklang and European festival slots at Rewire (NL), Explore The North (NL), Fusion (DE) and many more. His work has been supported by Uncut, Mojo, Electronic Sound, The Sunday Times, BBC 6 Music, NTS, Loud & Quiet, Publico, Le Monde & many more.
Margaux Gazur is a sound artist who explores the possibilities of sound using unconventional instruments, everyday objects, and field recordings to create rich soundscapes. Initially trained in classical piano at the Conservatoire, she developed a growing interest in unconventional sound sources, which she began incorporating into her compositions. By using sounds from her environment, Gazur creates music that is both deeply personal and universally resonant.
In Hanoi, she started capturing her daily life through field recordings, initially creating soundscapes for her father’s martial arts videos. This evolved into her own immersive projects featuring traditional martial arts sounds and celebratory instruments. Her passion for organic sound drives her to constantly engage with her sonic surroundings, seeking new sources of inspiration and experimenting with various recording techniques.