Galiläakirche
Geschichte
Evangelische Kirche unter Denkmalschutz, erbaut 1909–1910 nach einem Entwurf der Architekten Georg Dinklage und Ernst Paulus.
Nutzung
Nutzung als Kulturort und Standort des Jugend-Widerstands-Museums (Ausstellung bis auf weiteres geschlossen).
Adresse
Galiläakirche, Rigaer Str. 9
10247 Berlin-Friedrichshain, DE
U5-Frankfurter Tor
M10 und M21 Bersarinplatz
Freitag, 11.10.2024, 19:00 Uhr
Schneider TM + Marc Weiser & Lillevan (Rechenzentrum)
audiovisual performance
Samstag, 12.10.2022
fastmusic „I want to love, and I love“ – Release-Show
Opening act: Héloïse
Main act: fastmusic
Doors open: 19:00h
Show: 20:00h
You can buy tickets in advance. Either online at rausgegangen or as a conventional ticket at KoKa36. You can also purchase tickets at the door in the evening.
More information on Facebook: https://www.facebook.com/events/8364933280223363/
fastmusic „I want to love, and I love“
„I want to love, and I love“ is the debut album by Leipzig artist fastmusic. The opening track describes the world as a carousel, but at a slow pace. The album’s aesthetic and philosophy contrast with today’s hectic world, offering a sound of deceleration and shoegaze romance, with influences from Mali blues and minimalism. It touches on themes like consumerism, first-world problems, and self-expression, promoting a „live and let live“ attitude. In our turbulent era, this album provides a soundtrack for a more relaxed lifestyle, including digital detox.
Héloïse „One Click One Scroll“
Back then: those colors! The small plastic organ with surprising No Wave scratches and Post-Gaffa residues. Héloïse represents this punk derivative without worn-out guitars, sounding like 1983 but not as if nothing happened in 40 years. Zurich musician Sabina Leone is behind this trick. She sits at her drums, stitching percussive patterns with fabric scraps from offstage. Active since 1993, Leone has made music in Italian with Sorelle Leone and crossover with Wemean. Now fully embodying Héloïse.
Dienstag, 15.10.2024, 19:00 Uhr
CIRCUIT TRAINING XVIII
Circuit Training is a large workshop ensemble founded in 2013 that started out with 5 musicians and meanwhile performs with 12-15 players. Each player can be also composing music for the ensemble which is an experimental tool for all members. In edition XVIII the ensemble comes together without rehearsal and Ignaz Schick will bring in some graphic score cards and will conduct the group with his unique hand sign language.
Florian Bergmann (clarinet, bass clarinet)
Nikolaus Neuser (trumpet)
Max Arsava (live-electronics)
Stefan Roigk (laptop, electronics)
Eliad Wagner (analog modular synth)
Quentin Tolimieri (piano)
Taiko Saito (vibraphone)
Ulrike Brand (violoncello)
Adam Goodwin (double bass)
Meinrad Kneer (double bass)
Klaus Kürvers (double bass)
Alexandre Babel (drums, percussion)
Sofia Borges (drums, percussion)
Rudi Fischerlehner (drums, percussion)
Ignaz Schick (composition, conduction)
Donnerstag, 17.10.2024, 19:30 Uhr
Die modulare Nacht: Palais d’Amour / Toller Urlaub
Tangorett Release Concert
Mit unzähligen modularen und analogen Synthesizern, verstimmter Wandergitarre, Glockenspielen, Field Recordings und Heimorgelbeats lassen Uwe Haas (Field, feldneun) und Jörg Hochapfel (Bruchgold & Koralle, Hunger) Musik entstehen zwischen von Kindern gemachtem Stolper-Ambient und schamanistischem Slow-Motion-R’n’B: verstörend und gleichzeitig manchmal ziemlich sexy.
An diesem Abend präsentieren Palais d’Amour ihre dritte Veröffentlichung „Tangorett“, erschienen auf dem kleinen aber feinen Label Bello Neon. Erhältlich auch in Form einer wunderschön von Marko Krojac gesiebdruckten Baumwolltasche.
Toller Urlaub ist das Modular Synthesizer-Duo von Oliver Roth und Johannes Schleiermacher. Die beiden interagieren mit einem selbst konzipierten Algorithmus, der je nach Bedarf stoisch vor sich hin blubbert oder wie ein Schwarm seltsamer Vögel durch den Raum fliegt. Beide spielten u.a. im Woima Collective und im Andromeda Mega Express Orchestra als Bläser zusammen. Hier nun im Rausch der synthetischen Klänge.
Samstag, 19. Oktober 2024, 19:30 Uhr
Pardez (Contemporary Mediterranean Music)
Iordanis Foutsitzoglou (oud, buzuq, voice)
Yiannis Koutsamanis (violin)
Mimis Sandalis (bass)
Pardez is a trio based in Berlin. Coming from different musical backgrounds but with a lot of overlapping influences, the three musicians interpret contemporary and traditional music from the Mediterranean, enriched with jazz elements and improvisation.
Dienstag, 22.10.2024, ab 19:00 Uhr
Tanz den Kommunismus vs. Wir sind die Türken von morgen
Lesung
Punk Ost vs. Punk West der 1980er. Zwei der besten Punk-Bücher der letzten Jahre, „Tanz den Kommunismus“ von Henryk Gericke und „Wir sind die Türken von morgen“ von Ulrich Gutmair werden – miteinander, gegeneinander, durcheinander – in einer besonderen Doppel-Lesung von den beiden Autoren präsentiert.
24. & 25.10.2024, 17:45 Uhr
A Tribute to Coum Transmissions & Throbbing Gristle
55 years ago, a music and performance collective called COUM Transmissions made its first public appearance in Hull, England. They challenged British society with a confrontational approach, but also marked the beginning of a musical subculture that created new musical territory in the interplay of Videos, Sounds and Performance Art with the genre Industrial Music that was unique in its uncompromising nature. From the beginnings as COUM Transmissions, from which THROBBING GRISTLE emerged in 1976, to the later individual projects of its members, a total art is embodied here that celebrates permanent mutation as a rebellion against all norms and systems.
Over two days (24. & 25.10. 2024), we pay tribute to the unbroken fascination of this radical art and its protagonists with a comprehensive Tribute Programme that includes Live Concerts, Film screenings and Video presentations.
Program Day 1, The Cosey Day, 17:45 Uhr
Films
Throbbing Gristle’s Psychic Rally in Heaven
Cosey Fanni Tutti: A Study In Scarlet
Delia Derbyshire – The Myths And The Legendary Tapes
Live Concert
Jasmine Guffond
https://media-loca.com/jasmine-guffond/
Program Day 2, The Genesis Day, 17:45 Uhr
Films
Other, Like Me
S/He Is Still Her/e – The Official Genesis P. Orridge Documentary (German Film Premiere)
https://www.facebook.com/SoundWatchBerlin/?locale=de_DE
Live Concert
Contagious
https://media-loca.com/contagious/
26.10.2024, 19:30 Uhr
Marina Džukljev Quartet
Marina Džukljev (piano)
Ute Wassermann (vocals)
Michael Thieke (clarinet)
Raed Yassin (electronics)
Prepare for an evening of captivating musical exploration with the Quartet of the accomplished Serbian pianist Marina Džukljev, known for her versatility in free improvisation, classical, and contemporary music, this ensemble promises a unique blend of sounds and styles. Džukljev’s innovative approach to the piano, combined with her quartet’s dynamic interplay, creates an immersive experience that pushes the boundaries of Jazz and improvised music.
Freitag, 1. November 2024, 19:00 – 22:00 Uhr
ANIMA MUNDI #5 – Performance/ Konzert (Lichota/ O’Grady)
Sound Performance by Patryk Lichota and Concert by Larissa O’Grady
Patryk Lichota präsentiert BEELOCATION, eine Performance, bei der Klang und Licht durch Theremins und Bewegungssensoren gesteuert werden. Larissa O’Grady interpretiert Werke irischer Komponisten, darunter Judith Rings Swept Through the Floods, ein Stück für Violine und Elektronik, das Umweltkatastrophen thematisiert. Karen Powers sonic cradle basiert auf arktischen Feldaufnahmen und verbindet die äußere Stille mit einer reichen Klangwelt. David Bremners Salient Memories behandelt Statistik und Erinnerung durch eine sich ständig entwickelnde Ausdrucksstruktur. Amanda Feerys Thighs in Bark erzählt die Verwandlung der Daphne in einen Lorbeerbaum aus der griechischen Mythologie. Anselm McDonnells Rusted Sugar erforscht die komplexe Beziehung zu Zucker durch musikalische Strukturen, die chemische Prozesse widerspiegeln.
t.b.a.
Pankisi Ensemble
Music of Kists, Chechens of Georgia
Pankisi Ensemble returns to Berlin for the second time—don’t miss this rare chance to hear a unique group from one of the most remote areas of the Caucasus. They preserve and develop lesser-known Chechen vocal and instrumental genres, including epic legends like „Illi,“ Sufi chants, and love songs.
Members:
- Bela Mutoshvili: voice, accordion
- Lana Gunashashvili: voice, pondar (Chechen lute)
- Linda Gunashashvili: voice
- Mariami Bagakashvili: voice
The ensemble balances traditional authenticity with bold performances. Influenced by both Chechen and Georgian music, they represent the distinct and shared cultures of the Caucasus. These young musicians evolve while maintaining the integrity of their sound, avoiding trends like „ethno-fusion.“